Beauty doesn't come out of the pen, it travels through it, weaving through the waves of memory and vision, arriving on the page. I'm both proud of these pages and excited to share them in one continuous unannotated flow. Explanations and Expansions are shared in previous posts on my journal, but for the first time, we get to see one layer of everything at this stage of the development of my multi-part woven composition, 'At The Edge of The World' which starts with the beautiful 'Silver Shore'.Read More
As I began the last page in this journal volume, I was walking down the Lisburn Road in Belfast. I passed a glass & steel 1980s BT telephone box near the City Hospital and like being sucked through a vacuum tube, surged abruptly into surreality. Images, visions, dreams of the past swirled together with the present on this misty Belfast street. I took out my phone and dialled it's number 028 9023 2471, holding my breath waiting for the green amber screen to illuminate and for it to ringRead More
These pages in my notebook are all from early to mid January. It's been a really busy few weeks, between designing & producing the next stage of prototypes for my shawls; preparing for and exhibiting at Showcase 2015; and filming our segment on RTÉ Nationwide, as well as continuing to produce my [award-winning :-)] silk scarves & bow-ties, one each of which were presented to President of Ireland, Michael D Higgins as he opened Showcase, which is Ireland's largest trade-only event.Read More
The Walk: It was my third time there, four miles past the edge of the world...
My First Time
Although I'd visited many times, even taking DART journeys solely for the sensory pleasure of those moments when to one side of the train, the sea opens up to a horizonless sky, I'd never ventured past the shoreline.
rom July to August 2013, I wove 'Dark Hedges'.
One year later we arrive 'At The Edge of The World', a new body of work, of which 'Silver Shore' is my first piece. In the past few journal posts, you'll have learnt that the basic form of that work actually borrows its essential constructs from this new one, arriving later, but beginning before.This journal post too began before the others, and I'm posting it now, accepting that only the piece itself can tell you all of its story, and the best I can do is introduce it.Read More